Skip to content
Aside

Several questions/answers about the Venus figurines.

The Venus figurine phenomenon has produced many an interesting and diverse hypotheses from anthropological and archaeological experts. This non-academic observer will expand upon the discourse and questions posed in earlier posts. And how qualified am I to comment? Well, how qualified are all the academics? I have never held a Venus figurine in my hand. I have had to; get my “fix” from books, videos and internet perusals. The majority of the academics have at their disposal the exact same informational resources for forming their opinions and conclusions. Those luckiest enough to have held in their hands better than 10 in total of these artifacts is a rare number of academics. The majority who research these artifacts do so vicariously with the help of all walks of scientists doing research in this field and the dissertations they present. Logistics just do not allow any one individual to have physically examined all the artifacts. I have perused a significant body of the information available and hope to present an interesting and slightly diverse bit of hypotheses after three years of personal investigation.

Was it art? Randall White asks the question, “When does symbolic representation become art and why should we care?”1. The making of bifacial stone tools in the era of Homo erectus demonstrates a cognitive application of symmetry. The genetic hominid pattern as we evolved has demonstrated that through conscious and non-conscious production, first developed in tool fabrication, we eventually developed an art history. Palaeolithic humans had application of thought to create objects of adornment and discern between objects of art and tools for survival. The collection of figurines shows no evidence that they were used as tools. They were prized personal and portable possessions that were of importance to the individual owner or owners. The argument for objects of craft versus art seems implausible as they had no purpose as a tool or fixture. They were objects of art and our ancestors knew they had value because the equity of hours to create them was known, and our cognitive ability to discern intrinsic value is an easy conclusion to state. These were objects that were perceived as “different” versus other items of Palaeolithic creation. The concept of art may not have been part of early Homo sapien consciousness, but some of our ancestors most obviously had reverence for possessing one or several of these artifacts.

To care or not to care is a trite question, Mr White. I am a great admirer of your body of work, but I take umbrage with part two of the question you propose in this lecture. Taking a quote from another of your publications; “While we cannot help but be influenced and informed by ethnographic knowledge of hunter gathers, we must be careful not to impose that knowledge on the distant past. Rather, we must evaluate with great precision the degree to which the archaeological record for the past conforms to our expectations from the ethnographic present2. The quote above resonates the same message you conveyed in the lecture cited earlier. I do get the message that we must be precise as possible with the ethnography. I was a little shocked that you posed a question about not caring. The Venus figurines are most definitely one of the earliest forms of art. It does demonstrate a threshold meme in our evolution. In my estimation, a darn good reason to care.

When did we make this leap to creating symbolic figurines and images? Blombos Caves in South Africa revealed evidence for paint making. It documents the first known instance for the deliberate planning, production and creation of a pigment compound, and for the use of a container 3. Between 100,000 to 70,000 B.C.E. we were using pigment compounds for a purpose. Personal adornment is plausible and by 40,000 B.C.E. we have our oldest artifact of Homo sapien creation, the Venus of Hohle Fels (Venus of Tan-Tan and Berekhat Ram aside). The Lake Toba super volcano eruption around 70,000 B.C.E. had a significant effect on the global Homo sapien population and the sheer lack of all types of artifacts after the eruption is reflected in the lack of art artisans and tool makers to create them. Over the next 10,000 years the population rebounds and out of Africa we ventured, and by 40,000 B.C.E. our species has had many thousands of years co-existing with the Neanderthals. It is possible that some of our early ancestors could have been influenced by objects created by Neanderthals, but the cache of figurine discoveries lean more to a Homo sapien hand. Adornment most definitely came first and creating objects for sheer visual pleasure came second. Subject to a find that is older than the Venus of Hohle Fels, which was not the first of its kind, we made this leap between 70,000 to 40,000 B.C.E..

What compelled our ancestors to create figurines of predominantly nude females on the edge of a gigantic glacier? Of course there were seasonal conditions that would have allowed for unclothed months of existence. The Mal’ta Buret figurines found in Siberia around Lake Bakal do distinctly show articles of clothing being worn on the carved figures, but the vast majority depict the nude feminine form, as depicted from the artifacts discovered in central and western parts of Europe. The concept of modesty would not have invaded the consciousness of hunter gather societies for thousands of generations. One needs only to examine modern Neolithic people alive today in the equatorial regions to see that modesty is not part of the tribal makeup. The only need to wear clothing would be for cold weather survival. Ceremonial reasons would potentially be another, but did we have ceremonies as part of our culture at that time? O. Soffer, J.M. Adovasio and D.C. Hyland have covered the organic clothing evidence found on Gravettian era figurines in a 2000 publication and outlining the evidence for head coverings, belts and attire made from organic materials 4. This is evidence for weaving skills to have existed in this epoch, but none of the figurines from the Upper Palaeolithic Gravettian examples are clothed appropriately for a northern climate. Sites that have revealed evidence of clothing are rare, but the funerary evidence from the Sungir site in Russia, is evidence for clothing and lavish bead adornment discovered on the adults and children exhumed. We were wearing clothing, but doubtful that we had closets of spring and fall collections. The clothing would be for the practical purpose of staying warm when needed, and stored away when summer days arrived. So males and females most likely wore nothing or scant clothing during the warmer days of summer. The models would have been in view daily for 40% to 50% of the year. The compulsion to recreate our own image is one plausible conclusion and images of others another. Something stronger than the above hypothesis compelled our ancestors to create these figurines. Time for the next question.

Would it have been possible for our ancestors, male and female, to achieve corpulent form based on the diet of this Upper Palaeolithic epoch? A successful hunting tribe that had developed the skills to take down the large megafauna would have been able to provide their collective with a significant quantity of animal protein and fat. Not all tribes would be as successful at large megafauna hunting. The prowess of one tribe over another and a moral code could definitely have played a role. And the morale code may have had an element of early sexism in it. The measure or status of the best hunter would be that if his mate or additional mates were of sturdy size, he would have been held in higher esteem. If his mate or harem does not bare any visual perception of starvation, this could be a status symbol. The corpulent form could possibly have been perceived as being a measure of success when viewed by the more gracile of form, small fauna hunting tribes who were not as successful. My apologies for the stereotypical male perspective construct for the above paragraph.

Carbon Isotope scans of bones has been done on 14 different humans from the Upper Palaeolithic 5. From these scans, expert scientists in this field can make very precise determinations as to the consistent diet of our ancestors. The most recent studies reveal that we also had a high freshwater and ocean marine diet to supplement our large herbivore diet as well. Here are two quotes from the Michael P. Richards and Erik Trinkaus 2009 article:

It is tempting to see the difference as being somehow cognitive, in that Neanderthals were unable to alter their (albeit very successful) subsistence strategies, whereas modern humans were more creative and were able to exploit resources more than the Neanderthals 6.

Moreover, the relatively rapid dispersal of modern humans into most of Europe and the evidence for limited if widespread assimilation of Neanderthals into those populations imply markedly higher effective population sizes of those modern humans. Larger modern human populations may well have promoted the variable exploitation of a broader range of resources, ones requiring greater effort or technological investment for their acquisition 7.

Our sturdy Neanderthal tutors would have been an influencing role model for our invading Homo sapien ancestors. Our ancestors in other parts of the globe did not have Neanderthals around to affect their culture. The perception of bigger is better is a cognitive construct that resonates today within the consciousness of our modern culture. It most definitely would have been perceived as a measure of success by our ancestors. Success would have stimulated population growth. Larger tribes would have created diversity of human form. A moral code for protection and an altered role in the collective, a life avoid of hard tasks, plus a genetic steatopygous condition, are all potential contributors for the Venus models. The daily diet elements were definitely in place for some of our ancestors to achieve an obese form. It is one plausible degree of conjecture I would propose that could at the least answer the question above. Albeit potentially a rare occurrence, corpulent form was revered as a measure of success in the eyes of our Palaeolithic ancestors.

Why do almost all of the figurines have no feet? This is one of the easier traits of the figurines to answer. For the purpose of display the figurines had the legs tapered to a point for insertion into an earthy or muddy pedestal. Although the skill sets of the carvings vary from excellent to crude, there are not many figurines that have feet. The carving of feet would have been relatively easy to do based on the carving skill that the collection displays. Another plausible conjecture is that the owner of the figurine might have carved a simple wooden base to allow the Venus to stand upright. The wooden base would be lost for all time. Where are the bases carved from the same material of the figurines? Maybe they have been found, but not realized as part B of another artifact. The tapered legs are a stylistic similarity that demonstrates an exchange of ideas over generations. This question and the hypothesis that I have just stated can be found in similar text from numerous sources and is a completely plausible explanation for the missing feet question. I cite no sources as there are several similar consensuses to be found in academic articles on the Venus figurines. It lends credence to the fact that were displayed and fairly solid evidence for visual appreciation, at bare minimum.

What are the homogeneous features that define these statuettes with a unique designation of “Venus Figurines”? Non-homogeneous exceptions can be easily cited, but focusing only on the predominantly similar feature is where I will stay in this discourse. Generalizing—exaggerated breasts, abdomen, buttocks, hips, thighs, vulvas, and no facial features, no arms, no hands and the lack of feet as discussed above. There are several academic conclusions that the figurines appear to represent the pregnant female form, but this postulation inerrancy can be easily challenged. The easy counter argument “is she pregnant or she obese” and I will address the pregnancy topic later. Anyone can do the quick video perusal online to view the image collection of these amazing figurines. Sorting out the contemporary Venus images from the Palaeolithic is quite easy and the homogeneous features are easy to discern. Our ancestors had 3000 plus generations to create and share theses cultural icons. A non-academic admirer like yours truly will never have the opportunity for hands-on examination of an authentic figurine, but winnowing out a conclusion from image perusal alone I would conclude that the homogeneity of these statuettes is evidence that they achieved a status of cultural awareness across a vast territory for many, many, thousands of years.

What other interpretive frameworks has the science on the figurines overlooked? As I have mentioned in other posts there are two speculations that have received little or no commentary from the past century of dissertations, articles and books. If we have 200 plus figurine examples made from stone, bone, tusk, antler and clay in the archaeological record, the same skills could have easily been transferred to wood. If there have been discoveries of Palaeolithic figurines (Venus or other) made from wood, then they have eluded anything that I have researched. Perfect preservation conditions for a wooden Palaeolithic figurines that would allow for discovery in this century, are a virtual impossibility. The organic features of wood just do not facilitate the archaeological find. Into the realm of speculation and postulation, it seems an easy conclusion to make that Palaeolithic sculptures created many Venus figurines from wood. It would be just too easy to do! The sheer number of figurines pervading the Upper Palaeolithic territory would be higher, combined with the more current discoveries that the populations were much larger than originally estimated and we have our first, “FAD!” Broker the idea that they were used as currency and we have our first monetary units. I have no academic credentials at risk, thus it is very easy for me to propose an interpretation totally absent of evidence. Adding my two intuitive interpretations to the inventory of interpretations may be perceived as hubris, but they are both plausible speculations.

What is my interpretation of the potential spiritual aspect of the Venus figurines? A century of interpretations precedes me and to comment on all the variant ethnography will just not be possible. I will leave that for a future post. New studies with current technology are doing an excellent job on unlocking new minute details of each figurine and revising the dating of the earlier discoveries. The homogeneous phenomenon has many detractors, but the stylistic similarities cannot be overlooked. To echo words of Randall White cited earlier, we must be more precise when imposing our modern assessment of civilization as we see it today and how sacrosanct it is with our hunter gather past. Unlocking the stylistic similarities is an appropriate tactic to take, to better understand the impetus behind their creation. To the land of the hypothetical I will go 25,000 years from now—what would be written in a futuristic archaeological dissertation about the discovery of several thousands of homogeneous artifacts that depict a man being nailed to a wooden cross? All knowledge of Christianity is lost and much new and different spiritualities have taken over. Suffice to say that the academics of this future era would come to the possible conclusion that our Middle Holocene ancestors had a fascination with this grotesque execution practise. The ethnography would be an interesting read. And any 20th/21st century interpretations of Venus figurines, the figurines “purpose” as the root question, can potentially all be judged as floccinaucinihilipilification 8.

These figurines were a bonding symbol very much like the Christian icon is a bonding symbol. The 2000 year anniversary of the crucifixion will happen sometime between 2028C.E. and 2034C.E.. The Christian symbol has had less than 2000 years of iconicity and the Venus figurines had 20,000± years of symbolic status for our Palaeolithic ancestors. Trading routes, burial rites, innovation albeit shared or plundered were fostering a cultural “big bang” of exchange of ideas. Cooperation was breeding more cohesive communities. Having the symbol could possibly have meant you were part of a shared philosophy. A more peaceful philosophy—maybe—wild conjecture indeed. The corpulent form versus the pregnant female on merit alone will pull any inquiring conjecture to the fertility attestation. Thus as I have attested in a previous post that I would state that one of the two original spiritualities was the pregnant female. I avoid making any comment with any reference to a “Goddess” symbol as I feel that this is a cognitive construct that has more Neolithic foundation versus any Palaeolithic era. A homogeneous goddess concept which translates to a supernatural enthusiasm versus within the atmosphere fertility spirituality—I believe that the latter conjecture is a more plausible construct. Add to this equation the veritable thousands of organic renditions of these figurines that are lost to the ages and we have our first sacred symbol/fad. Many things are developing in tandem that strengthens group solidarity and commonality of purpose. The symbol of the female form is being used to express a commonality of purpose and the best plausible conclusion is that its sector of belief revolved around reproductive enhancements.

Art for art sake—maybe—social status on par with men—plausible—self representation theory—the weakest of all theories from my perspective. An early superstitious shamanistic doll to prevent miscarriages, or a pre-coitus ritual use, and I can keep going with more, but these homogeneous objects we have to examine today tell us that our species maintained a very simple but consistent cultural iconicity with creating Venus figurines for a long, long time. A spiritual significance and bonding icon from our evolutionary past that cannot be ignored.   

            

 

  1. www.youtube.com/watch?v=qfVlbla6HJO Randall White lecture on Prehistoric art.
  2. http://www.nyu.edu/gsas/dept/anthro/programs/csho/Content/Facultycvandinfo/White/RWarticles/RW_2007_Human%20Revolution.pdf Randall White Publication 2007; System of Personal Ornamentation in the Early Upper Palaeolithic.
  3. http://en.wikipedia.org/wiki/Blombos_Cave#cite_refHenshilwood_.26_d.E2.80.99Errico_2011_50-0 Wikipedia; Blombos Caves.
  4. http://www.unl.edu/rhames/courses/current/venus1.pdf The “Venus” Figurines; O. Soffer, J.M. Adovasio, and D.C. Hyland 2000.
  5. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2752538/ Michael P. Richards, Erik Trinkaus Proc Natl Acad Sci U S A. 2009 September 22; 106(38): 16034 16039. Published online 2009 August 11. doi: 10.1073/pnas.0903821106
  6. (Ibid.)
  7. (Ibid.)
  8. Floccinaucinihilipilification; the estimation, action or habit of deeming something as worthless.

One question about the Venus Figurines.

Without a carriage vehicle of invention, we travel no faster today than we did in Prehistoric times. The twin turbos that we use for propulsion today are the identical means of locomotion for archaic Homo sapiens and all other pre evolutionary bipedal hominid species. One foot forward and away we go. A healthy human can cover a significant distance daily. An unhealthy, injured or obese human would have been a burden to a nomadic tribe. The harshest of survival conditions was the daily template. But travel we did and with the proliferation of similar types of weapons, tools, objects of art and recurring theme cave art, the artefactual evidence reveals that early technological advancement were shared or plundered. For 25,000 years (35,000 B.C.E. to 10,000 B.C.E.) the Palaeolithic humans of Europe and Asia spread their early culture across the habitable edge of the great northern glacier. No doubt there was plunder of one tribe from another which expanded the change of ideas. The early seeds of conquest grew alongside of the early seeds of trade and commerce. No doubt that each new meeting of clans and what transpired between them, the full or empty stomach was a contributing factor. Slowly I’m getting to the point for sure, but since nomadic travel appears essential to surviving Palaeolithic life, how could creating the image of corpulent, steatopygous or pregnant females (Venus figurines) become part of that culture for millennium after millennium?

The conundrum of speculation is that human interaction, peaceful or of conflict, happened repeatedly over this epoch. There is no other way to explain the distinctly stereotypical features of the current collection of Venus figurines found to date. For this phenomenon to have arisen independently in multiple locations at the same time without interaction is just not plausible.

The first argument to extrapolate is nomadic travel. Our ancestors obviously hunkered down in caves for long periods of time. These caves may have been the first fortresses to defend or base camps for successive raiding parties. The earliest known settlements that exist outside a cave would be the Huts of Mammoth Tusks & Rocks discovered at Dolni Vestonice in the Czech Republic dated at 23,000 B.C.E., and the small scattered settlements of the Kostenki-Borshevo sites in Russia which date in various layers from 36,000 B.C.E. to 22,000 B.C.E.. And discoveries of other settlements do not show up in great numbers for another 10,000 years. Habitable caves would have been the prizes for early bands of our species. Estimates of our population from 40,000 B.C.E to 10,000 B.C.E. are just about impossible to find and any attempt by me or others to come up with a figure will be imprecise. At 10,000 B.C.E. there are many sources that estimate the homo sapien population to be anywhere from 1.3 million to as high as 4 million globally. Africa, the rest of Asia, Australia and the early inhabitants of the Americas would most likely account for as low as 500,000 to as high as 2.5 million ancestors (50% to 60% of global population). It stands to reason that the early populations of Homo sapiens from the Atlantic to central Asia (the other 40% to 50% that lived on the edge of the northern glacier) would have been a significant number. The rate of population would not likely be higher than 1 person per kilometer. Tribe size would most likely comprise cooperatives of 10 to 50 members. And not all could live in caves. Nomadic travel would have been the norm for a better than 50% to 75 %, or more, of the Palaeolithic tribes in this sector of the globe. The bulk of the figurines date between 30,000 B.C.E. to 12,000 B.C.E., thus for 3000 to 3500 generations, a fascination with this style of carving existed. Finds in other parts of the habitable Palaeolithic have uncovered little or no renditions similar to the Venus style of carving. The models for these figurines would not have been prime nomadic candidates. Were the models for these figurines sedentary? If yes, than certain tribes that occupied caves for extended periods of time could have produced the models. A moral code within the culture would have arisen to care and protect women of corpulent size. Extend this argument to the more nomadic bands and it would seem less likely that a slower moving member of this tribe would be part of the collective.

Predominantly nude, and mostly corpulent women, portable figurines are without a doubt one of the most fascinating artifacts our ancestors have created. Why did they do it? In my next post I will pose all the questions, cite sources, and do the best ethnography I can from all the information available on the Venus figurines. 

Picasso Quotes and Primitive Art

Picasso is quoted as saying, or allegedly quoted as saying;

 

We have invented nothing new”, after seeing the cave paintings at Lascaux France.

After Altamira, all is decadence”, when he exited the infamous caves in his native Spain.

 

Curiously there are no official cited sources for Picasso to have ever uttered the above two quotes. When you research both quotes, you will find variants and subtle word changes, but essentially you can find numerous sources that redact these quotes. Whether he said something similar (or not) is not the point of my discussion and I am not about to challenge the quotes validity. His body of work in painting and sculpture does mirror the prehistoric cave images in some pieces. He possessed two reproductions of the, “Venus of Lespugue”, and is cited as saying the following:

 

In reality, we know very little. What is conserved in the ground? Stone, bronze, ivory, bone, sometimes pottery. Never wood objects, no fabric or skins. That completely skews our notions about primitive man. I don’t think I’m wrong when I say that the most beautiful objects of the “stone age” were made of skin, fabric, and especially wood. The “stone age” ought to be called the “wood age.” How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now”.

Copyright notice: Excerpted from pages 92-102 of Conversations with Picasso by Brassaï, translated by Jane Marie Todd, published by the University of Chicago Press. ©1999 by the University of Chicago. All rights reserved. Originally published as Conversations avec Picasso text and photographs © Gilberte Brassai and Editions Gallimard, 1964, 1997.

 

So the argument that Picasso was only minimally influenced by prehistoric art is a realm of discourse that I dare not to tread in. Picasso was influenced by prehistoric art. He was a man of art and knew that prehistoric artisans would have created art from skin, fabric and wood. And these are the organic elements of art that unfortunately cannot be dug up by archeology—they are gone! So the theater of speculation and postulation is the only way to approach the subject. What did the Palaeolithic art, made from skin, fabric and wood resemble?

  1. By my unofficial count, there are (+/-) 200 distinct Venus figurines made from bone, stone, antler and ivory. If archeology has only discovered 10% to 15% (albeit 10% to 15% may be highly generous) then it should stand to reason that there were a significant number of figurines carved from wood. The Venus figurines could have been easily reproduced in wood and possessed by many. The first knock off industry we created. The bone, stone, antler and ivory pieces would definitely be of more value. Palaeolithic humans would have been able to discern the value between the types. Trading five wooden figurines for one made from mammoth Ivory…easy S&P.
  2. Rupestrian drawings, (of art, done on rock or cave walls) did they have their first renditions on bark, fabrics and skins? S&P says yes. Practise makes perfect. Do your rough sketch on a hide or fabric before transferring it to the cave walls. Safe once again to speculate that one tribe may have had a campsite adorned in paintings, while another camp did not possess the artisan/shaman individuals to create great images. Trading art for food…another plausible S&P.
  3. The artist and his or her ability to create good and bad art probably affirmed their status in the tribe. Was the task of hunting and gathering left to others, and the artist allowed to muse and hone their craft with tribal support? The first elite members of early civilization? Did artisan tribes exist that traded with a network of tribes? Food for figurines and wall hangings? There are many examples of adornment items discovered in the tells throughout the habitable Palaeolithic. Countless necklaces have been discovered. Art. Was it the first form of commerce? S&P says yes.

 

The circumstantial evidence seems clear. Art, similar art (copies), in multiple forms spread across the Palaeolithic for 25,000 years. If not the first, one of the earliest forms of commerce was “Art”. A comment absent of evidence, but a plausible comment none the less.

The “2” Original Spiritualities

The “2” Original Spiritualities

 

Observing a timeline affords some interesting speculations. It is interesting to observe the immense collection of Venus figurines that have been found throughout Europe and Asia. While there are a few examples of Venus figurines that date back more than 200,000 years ago, most of them were made between 40,000 and 12,000 years ago. For the most part, the vast majority depict an exaggerated feminine form. There are figurines of males and some children, but the numbers found to date are predominantly mature female forms. Why carve figurines that collectively portray obesity, pregnancy and steatopygia? In prehistoric times women did not live much past 30, so examples of obesity would have been rare. What does this collection tell us? Is this a clue to the original spirituality? The venerated form of the pregnant female suggests what? Venerated is a fair term to use because these figurines are found over a large portion of the habitable Palaeolithic, but seem to come to an end in the Mesolithic. Why did the practise of carving an exaggerated feminine form come to an end as we developed more permanent settlements and eventually cities? Were they early pornographic art? Not likely, but it cannot be ruled out. The creator of the piece may have carved it for his or her own personal pleasure. Fertility icons are a plausible explanation. Palaeolithic humans would have been marvelled as we can be today with the pregnant female. Additional hands in the tribe would have been a great enhancement to the tribe’s survival. What would be of more importance to tribal survival, another male or a child bearing female? Were they depictions of a Mother Goddess or an early form of currency between nomadic tribes? There is evidence that they were displayed. The majority of the figurines have no feet. A common feature is a tapering of the legs to a point for sticking into an earthy base. Thus to say that they were venerated idols is a plausible explanation and an assessment that must find its way to the top of the explanation chart versus all other claims. After researching all the Venus figurine information available, I have come to the conclusion that this was one of the two original spiritualities.

 

I personally approve of Edouard Piette’s 1892 adopted term of “Venus Figurines” to denote the distinct stone, bone, ivory and clay artifacts of this 25,000 year Palaeolithic epoch. Call them something else…why? To this person’s mind and eyes they are beautiful, universally very similar and they were not used as tools. They were definitely portable and an obvious prized possession of the owner. Reasons to define them by some other term are just semantics best left un-discussed.

 

The second spirituality involves food. Also found throughout Europe and Asia over the same epoch (40,000 to 12,000) are cave paintings of the fauna of the day. Mostly the megafauna that is now extinct. Fauna is painted on top of fauna. The artistic quality in a large number of them is stunning. The animal form is portrayed magnificently by the great artisans of that epoch. Beautiful renditions of bison, deer and mammoths adorn walls of caves that would have required amazing artistic skill and technological ability to bring light to the dark depths of these caves. Rarely is the full human form displayed. Many examples of a stencilled hand or a stick form of a human are portrayed. The larger animals were revered. The artistic creator was painting his or her idols. And this makes perfect sense to a Palaeolithic tribe whose survival depends on the ability to provide for the tribe. A counter argument recently put forth by archeologists points to the evidence found in the strata of several of these famous caves that the bones of the animals consumed were small fauna—not the mega fauna displayed on the cave walls. I would argue that the bones of the mega fauna had a greater purpose outside the cave. They were used for creating shelters and a host of other tools. Left to the elements, most of these bones would become decomposed soil. Smaller fauna would have been easier to catch, kill and consume. Take a rabbit snack deep into a cave, versus a leg of auroch, plus painting supplies and lighting. Easy counter argument for the lack of megafauna bones in the cave floor strata.

 

 FOOD! Food and the pregnant female were the original two spiritualities. What supplanted these two spiritualities? I’ll leave that topic open for future discussion.

Image

Venus of Willendorf

Venus of Willendorf

1st Edition – Timeline for Homo Sapiens

Timeline for Homo Sapiens – 1st edition

Aside

Welcome to Timeline for Homo Sapiens

My name is Cameron MacCuspic. I have perused the internet looking for a complete timeline of our species that encompasses all the factors that have shaped our existence. There are many good ones, but I am striving to include more of the unorthodox explanation alongside the orthodox. A multitude of discoveries are creating quite a buzz. The Pacific, Indian and Atlantic Oceans are beginning to reveal a sizeable number of manmade structures. More “out of place artifacts” that Klaus Dona and Michael Tellinger are championing, raise some very diverse and interesting hypotheses. And other hypotheses such as the following are challenging the exiting orthodox archaeological explanation:

 

  • The Solutrean hypothesis— the peopling of the America’s before the glaciers retreated—is gaining more foundation.
  • The Human Genome Project’s story of how we left Africa to conquer the globe.
  • The evidence that a comet or meteor exploded over the Great Lakes of Canada 13,000 years ago, and the effects it had on the mega fauna and the human population of that time.

 

The extinction challenges we have faced are all very intriguing, and this blog will be my attempt at joining the discourse.

 

 The goal of this project is to create a timeline with the focus on the epoch of 300,000 B.C.E. to 3,000 B.C.E., and shorter epochs within this time scale. Why this time period and a focus mostly on the Homo Neanderthalensis & Homo Sapien species? I am interested mostly in all the factors that have shaped the development of the Homo Sapien species over these 297,000 years. Global population is estimated to have been around 14 million by 3000 B.C.E.; 170,000 million to 200,000 million by the time of Jesus; and over 7 billion today. There are no other reptilian, insect, mammalian or hominid species, past or present, that have or are currently habiting the earth that could make a counter argument to this statement: ”Homo Sapiens have become the most successful inhabitant to have ever existed on this earth”.

 

The last 5000 years to the present are well documented by orthodox archaeology. We as a species have left our mark all over the planet. But before the Egyptian Dynasties, the Empires of Mesopotamia and the Fertile Crescent, the Indus Civilizations, the early Xai and Shang Dynasties of China, and the Inca, Aztec and Mayan Civilizations of the Americas, the evidence that has come to light in the past two decades is shaking the orthodox explanation to its core. New discoveries do not fit the current model. Prehistory evidence (before we had written records) is pointing to an untold renaissance of a more advanced Homo Sapien technological civilizations all over the globe. Lost civilizations have many a mythological foundation in folklore throughout the world. The most famous of them all, the story of Atlantis, has resonated down through the ages for 3000 years. Flood stories abound in the ancient folklore, and a quick perusal of the website included here; http://www.talkorigins.org/faqs/flood-myths.html provides links to a large percentage of them. The sheer number is astounding.

 

Glaciology, integrated with geology, climatology and a host of other sciences, is revealing that today’s shoreline is 300 ft higher than it was around 20,000 years ago. Simple educated reasoning would conclude that there were coastal civilizations, and their foundations and artifacts are still to be found in the oceans of the world. The flood stories are true, and the ancient written and oral traditions can now find foundation within science to back up the lore. Sea level rise was gradual and dramatic during the Ice Age receding epoch. A mega tsunami created by the bursting of a glacial lake dam brought on by deglaciation, shaped the Scablands of north western USA. A sudden sea level rise would wipe out a coastal settlement in an instant. And along the coast is where early settlements would have sprung up. Marine archaeology has been focused on the shipwreck. It needs to devote more exploration to the new zeitgeist and look for civilization’s roots pre-Holocene and far off shore.

 

       First and foremost, all dates in this timeline blog are controversial. All are subject to change pending better information and revised dating analysis. I have endeavored to find the most accepted scientific and academic date for all timeline inclusions. When new dating evidence becomes available, I will edit to reflect the best information of the day. I have chosen B.C.E., (Before Common Era) for all timeline inclusions, as it is easier for the greater majority of the population to understand, versus the more scientific BP (Before Present) and (Ky) dating denotations.

 

I must point out that I have no academic credentials. I have been an ardent observer of archaeology for many decades now, and the main driving force behind my efforts to create a focused timeline of Homo Sapiens time on earth is that I could not find one on the internet or in a book store with a quick view-timeline format. There are many Archaeological timelines that are very well presented in books and WebPages, but I could not find one that combines the glaciation, climate and changing sea level affects, alongside the Homo sapiens story with a simple “one line” theme. Most of the websites have links to articles and extensive additional information and dialogue. I was looking to create a one line/one page scrolling format, and want to make this a shared resource for all to use. I have not created links to a website for any inclusion. The majority of the items included have been acquired from internet perusals, and several books, and each line added has been researched by yours truly. To have website links for each line would limit the inquiring mind. Copy and paste the text of any line in a web browser and then check out for yourself the wealth of information available for the topic chosen. I may not have the best or correct information posted. Let me know and I will correct it if there is better information or include new information on another subject.

 

In this timeline project, I am endeavoring to continue to add known archaeological sites and artifacts, plus fossils, climate and sea level epochs to this thread. With your help I hope to fix dating mistakes and uncover new information that is worthy of inclusion. Limiting all the dated information to just one line has been challenging. The initial timeline will be classified as “Edition 1”, and in the future I will post addendums and additions for “Edition 2” and so on. Over time I hope to create the most complete quick view file resource for the past 302,000 years. I look forward to a global input for this project.

Follow

Get every new post delivered to your Inbox.